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BIOGRAPHY:
Singer-songwriter PAUL ARNOLDI, "...a happy cross between Roger Miller and
Bob Dylan ..", (Stereo Review ), began his career in the now-famous
Cambridge/Boston folk music scene of the early 1960's.
Featured in the book, Baby, Let Me follow you Down/ The Illustrated story of
the Cambridge folk years, by Eric Von Schmidt and Jim Rooney, Arnoldi
offered a unique musical contribution, blending his Wyoming prairie
upbringing with the traditional folk music being played in Cambridge and
Boston; and, later, performing these western, folk and
original songs in Berkeley, New York and Los Angeles. He has just released
his new CD, HIGHROADS TEN PLUS TWO.
Arnoldi's musical career developed while a student at
Harvard
University, the only school outside of Laramie to which he had applied. As
fate would have it, Cambridge was becoming a hotbed of folk music, with the
likes of Joan Baez, Tom Rush, Jim Kweskin, Taj Mahal, Maria Muldaur, and
others, rising out of it. By his third year at Harvard, Arnoldi was
performing western music, traditional folk songs, as well as his own
original material, at the Club 47 Mt. Auburn. Upon graduating in June of 1962, Paul joined the renowned bluegrass
group, The Charles River Valley Boys, playing guitar as "CRVB #10". In the
fall, he left Cambridge to continue his education in architecture at the
University of California, Berkeley.
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The bay area was enjoying its own bourgeoning folk music scene, and Arnoldi
would soon make a name for himself, performing his prairie-influenced-east
coast-urban-folk style of traditional and original material in all the major
clubs of the day; the Freight & Salvage, The Inn of the Beginning, The
Catalyst, and many more. By now his love of music overshadowed dreams of
being an architect, and Arnoldi says he left school to "do music, and build
on his own."
A couple of years later, Paul was lured back to the intensity and
familiarity of Cambridge. Embarking on yet another drive across the United
States, he found the Cambridge folk scene to have grown and solidified; folk
music had become a real business. He soon was back in the swing of things,
performing at the Club 47, the Unicorn, the Loft, among others. Time passed,
and Arnoldi, with hopes of recording an album, moved to New York City,
renting a loft at
Thirteen Bleeker street, Greenwich Village.
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Seeking a publisher for his songs, Arnoldi went knocking on doors, until one
opened up at the office of Artie Mogul, of Albet Music, an offshootof Albert
Grossman Music, (renowned for developing the careers of Bob Dylan and Peter,
Paul & Mary.) Mogul was instrumental in getting Arnoldi signed to a record
contract with Kapp Records. A ONE NOTE MAN,
released in 1967, was selected as "Folk Pick of the Week" by Stereo Review.
The title song was picked up by his friends, the emerging group, The
Youngbloods, who recorded it on their first album, GET TOGETHER. As they
were enjoying success, they decided to move to Marin County, near San
Francisco. That seemed a good idea to Arnoldi and he packed up his 6 and 12
string guitars for his own road trip, settling in to a nature filled life in
the hills behind Berkeley, (Canyon, Ca.). Arnoldi enjoyed Canyon, performing
all around the
Berkeley/San Francisco area, but eventually felt that a change was in order.
He visited Los Angeles, and, impressed by the things to see and do; the
availability of music publishers, etc., Paul relocated, and performed at all
the major folk venues, including McCabe's Guitar Shop, The Icehouse, The
Troubadour, The Ash Grove and Café Largo.
In1980, Arnoldi took a hiatus from city life, moving back to Wyoming, where
he bought and remodeled an old house. This time of peace and silence in the
wide open spaces resulted in songs being written, and thusly recorded upon
his return to Los Angeles. Arnoldi took his time producing and completing
this album, working with his many musical friends. Entitled HIGHROADS, the
LP was released on vinyl in 1986.
Basically undistributed, these songs were not widely heard. Arnoldi,
believing they stood the test of time, decided to re-release it on CD.
HIGHROADS TEN PLUS TWO, is a resung, remixed, revised, updated version of
HIGHROADS. "PLUS TWO" refers to the two new songs: A PEACEFUL WORLD, and
NO MORE WAR. Recording them delayed the CD release, but Arnoldi feels it
it was well worth the wait. It is his hope that this group of songs will
give listeners a peaceful feeling, and some joy.
Arnoldi has remained in Santa Monica, working on music, building and
sculpting, notwithstanding occasional excursions to Montana. In support of
his new CD, Paul will soon go on a nation-wide
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